© All rights reserved
Official poster of the 10th Havana Biennial (2009) featuring The Weight of Memory by Erika and Javier. Indigenous American woman with bare torso and USB drive necklace, neon light and image multiplication effect.
Poster from the exhibition “Memorandum of the Multiplication of Forces”, Planta Alta Gallery, Asunción, Paraguay, 2007. Black-and-white photograph on a red background featuring Erika, Javier, and their son before a Christmas tree made from the UNESCO.
Poster from the exhibition “Exploration, Extraction and Market”, The Exchange, Penzance, UK, 2012, curated by José Roca. Image of a Guarani native with a pendrive necklace, from the video art “Haciendo Mercado” by Erika Meza and Javier López.
Poster for the 11th Mercosur Biennial (2018) in Porto Alegre, featuring Erika and Javier. Monochromatic orange portrait of an Indigenous man wearing an FBI cap, curated by Alfons Hug.
Poster from the exhibition “Acción Urgente”, Fundación Proa, Buenos Aires, 2014. Image from the performance “Credit Chino” with Erika Meza pulling her eyes, work addressing Paraguay’s debt and Taiwan’s UN vote.
Official poster of the group exhibition The Parrot of Humboldt, curated by Alfonso Hught for the 56th Venice Biennale and presented in Rio de Janeiro, Brazil (2015). Erika and Javier’s work stands out among a list of cultures whose languages are endangere
Poster for Unresolved Circumstances: Video Art from Latin America (2011) at MOLAA, featuring Erika meditating in a yogi pose, wearing traditional Paraguayan dress, seated atop a Coca-Cola crate. Black-and-white analog photography.
Poster from the exhibition “Acción Urgente”, Fundación Proa, Buenos Aires, 2014, curated by Rodrigo Alonso. Image of Erika Meza kneeling and praying beside a UN official during the World Climate Change Conference in Durban, South Africa.
Black-and-white poster for Pacific Standard Time LA/LA at the Getty Center (2017–2018), featuring The Weight of Memory by Erika and Javier. Portrait of an Indigenous American woman with bare torso and USB drive necklace, face covered by the Getty Center l
Poster from the 6th Curitiba Biennial – Viento Sur, Brazil, 2011. In neon tones, it shows half the face of a Guarani native, fragment from a video performance by Erika Meza and Javier López.
Poster of Voces Indígenas by Erika and Javier, presented at the Latin America Pavilion-IILA during the 56th Venice Biennale (2015). Performance with black attire, Paraguayan tribal mask, and choreographic gestures forming a single body, exploring Indigeno
Poster from the 12th Media Arts Biennial, Museo Nacional de Bellas Artes, Santiago de Chile, 2015. Image from the photographic work “Power and Resistance” by Erika Meza and Javier López, with a monochromatic green projection of Fidel Castro over their nud
Indigenous American woman with bare torso and USB flash drive necklace. Artwork El peso de la memoria by Erika and Javier, exhibited at ZKM Museum Karlsruhe, Germany, during The Global Contemporary: Art Worlds after 1989 (2011).
Poster for Proyecto Línea (2001) by Erika and Javier, public intervention at Galería Habana, Cuba. Color photograph of bronze busts in socialist realism style, censored work of Cuban political art.
Póster de la retrospectiva Esto no es Uruguay (2013) dedicada a Erika y Javier en el Centro Wifredo Lam, La Habana, Cuba. Presenta en blanco y negro el rostro encadenado de Erika y el título en rojo, imagen de la obra Cultura Apatukada.
Poster of the retrospective exhibition Civilization is an Invention of the Mind by Erika and Javier, presented in 2012 at the Centro Cultural de España Juan de Salazar, Sala Goya. The image features a monochromatic watercolor drawing of a ghostly figure f
Poster for 500 Years of Future at the 2nd Montevideo Biennial (2014), Erika and Javier. Monochromatic gold-bronze performance image addressing Indigenous voices and endangered languages. Curated by Alfons Hug.
Poster for Erika and Javier’s exhibition at The Getty Center (Los Angeles, 2017). Black-and-white portrait of Erika in performance, wearing dark sunglasses and Asian attire, shown in close-up and extreme close-up.
10th Havana Biennial poster by Erika Meza and Javier López: Native American torso with USB necklace, negative and neon effect, from El peso de la memoria series.
Poster for Situating No-Land: Videoart from Latin America (2011) by Erika and Javier. Features scenes filmed on the Paraguay–Argentina border, exploring migration, territory, and memory. Exhibited at Slought Foundation, Philadelphia, curated by Rodrigo A.
Poster for the exhibition “Fibra Óptica”, Planta Alta Gallery, Asunción, 2010. Black-and-white photograph of a Guaraní native with feathers and a USB flash drive necklace, scene from the video art “Haciendo Mercado”.
Poster of the exhibition La Civilización es una Invención de la Mente (2012), Erika & Javier, Centro Cultural de España Juan de Salazar, Asunción. Conceptual black-and-white image with masked figure.
Poster for Latin American Art Project (2001) by Erika and Javier, censored political art in Cuba. Features a cement bust of Minister Abel Prieto, displayed in a marginal home, exposing tensions in Cuba’s cultural field.
8th Mercosur Biennial 2011 poster. Erika Meza chained from head to toe, performance from video art Cultura Apatakuda, filmed in Asunción, Paraguay, outside the Museum of Fine Arts.
Using Format